Garden Of Edna

Oil & Palette Knife Technique on Canvas While painting ‘The Dame’, I kept a second blank canvas positioned beside me a quiet companion to the main work. At times, I found myself with excess colour on my palette knife: tones I loved. but which didn’t belong on The Dame. Rather than lose them, I instinctively transferred the remnants onto this adjacent canvas. What began as a simple act of preservation evolved organically into a vibrant composition in its own right With each gesture, the new painting absorbed traces of The Dame’s spirit her energy, her palette, her rhythm. gy the end, I brought the piece together with intentional touches, refining what chance had started. This companion work captures the aura of ‘The Dame’: spontaneous yet deliberate, born from intuition, and a testament to the beauty that can emerge in the margins of creatiom

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